VoxGuard Nearfield Absorber
The Primacoustic VoxGuard is a high performance ambient noise attenuator designed to surround the microphone and reduce unwanted sounds from contaminating the recording. This nearfield absorber works by creating an acoustic boundary around the microphone that at once contains the voice while eliminating room reflections from entering the mic.
Unlike other similar offerings that employ complex steel parts that are both heavy and cumbersome, the VoxGuard is light weight and extremely easy to use. It starts with a high-impact ABS outer surround shell that snugs onto the mic stand using the microphone’s clip to hold it in place. The light weight design makes positioning the VoxGuard easy without the usual fear of the stand falling over which could ultimately damage the microphone.
This makes the VoxGuard effective when used with round base stands, tripods and even with large studio booms. Once mounted, an innovative rear access cable port allows the microphone to be articulated and directed at a specific source, thus enabling the VoxGuard to also be used as an acoustic screen.
The acoustic ‘magic is performed with a high-density open cell acoustic foam liner. This effectively absorbs the voice range while keeping room ambiance out to produce a dry rendering. This is particularly important when attempting to recording in rooms with less than ideal acoustics or in noisy spaces. Since the VoxGuard is 50% larger than comparable products, noise flanking is significantly reduced and performance vastly improved.
The VoxGuard is ideal for recording studio vocals, voice-over tracks for film and TV post production, pod casting and field reporting.
- Controls ambient space around the microphone
- Creates intimate sound field around the mic
- Delivers cleaner more articulated voice track
- Allows you to add ambiance or effects as needed
The Science Behind The VoxGuard
The VoxGuard is a simple device that employs well known acoustic principles to minimize room ambiance from entering the microphone. This allows a greater percentage of the source to be captured without the echo, reverb and resonance from the room. Once the 'dry recording' is on tape, artificial ambiance in the form of digital reverb, echo and EQ is then added.
The science behind the VoxGuard is simple. It combines absorption by way of high density open-cell foam with an acoustic shield to prevent ambient sound from entering the mic. This page explains the science behind the design.
Eliminating The Sound Of The Space
Put up a microphone in a room and hit 'record'. The sound of the voice will compete with the sound echoing off the walls. These are known as primary reflections, flutter echo and standing waves. These will invariably arrive at the microphone after the original sound and depending on how loud they are, will cause varying degrees of phase cancellation known as comb-filtering.
Although in some cases one may want to record using the natural room's effect, today it is common practice to record a dry vocal track and only add artificial ambiance during the mixing phase. Most engineers prefer to work this way as committing to room ambiance early-on usually conflicts with the instruments and limits options.
The VoxGuard Design
With acoustics, one can either absorb sound or reflect it. The VoxGuard performs both functions at the same time. First, when singing into the microphone, sound is captured by the mic while a good percentage of sound breezes by. In space, this 'extra' sound would go forever without echo as there are no boundaries. In an anechoic test chamber, sound is completely absorbed as there are no hard reflective surfaces. In this case, the VoxGuard's high density open-cell acoustic panel absorbs much of the energy in the critical voice range.
What spills over is then spread into the room. This echoes around in the form powerful primary reflections and flutter echo that create the room's reverberant field. The VoxGuard's curved outer shield is designed to reflect unwanted energy away while the larger size - upwards to twice as big as others - reduces flanking. This effectively creates a boundary that stops sound from coming back into the mic, reducing the ambient effect.
The results is predictable: With more of the original source and less of the reverberant field, the recording engineer is better able to control the sound of the voice or instrument to best fit the recording.
Baffel Material:SP-9010 ABS plastic shell, 3/16" (4.5mm) thick; Black with textured finish
Absorber Material: 1" High-density open cell acoustic foam, 2.2 lb/per cu-ft, charcoal color
Dimensions: 18" (wide) x 15" (tall) x 7.5" (deep) 457mm (wide) x 381mm (tall) x 190mm (deep)
Mounting Hardware: Threaded mic stand adapter and knurled ring inluded.